1. Director Konstantina Nikolaidi - founder of A PRIORI Theatrical Productions - makes it easy to collaborate from across the ocean by email! Our shared passion for doing theater permeates all and any boundaries. I’m also so fortunate that Konstantina is fluent in English.
2. Konstantina asked for my script interpretation. This is the first time I’ve been asked this question. It makes me wonder whether a playwright’s script interpretation is common practice in some countries. I haven’t come across it in the US. I’m reluctant to give my interpretation because I like complete freedom to be given to the director, actors, and designers to instill their interpretations - this is the phase where I let go the script and that the collaboration with other theater artists begins. So, instead, I provided Konstantina with my motivation for writing this play:
I can say what inspired me to write this play. I know a wonderful woman who has a very kind husband and three great daughters. When we met, her parents had already passed away. Her father, in particular, was very old when he had her and her brother. One year we had a holocaust memorial in Pittsburgh and she asked me to go with her. She said, "It suddenly occurred to me that my father had a whole family before he had us. His first family perished in the holocaust." She had never given it much thought. Her comment struck me: How did her father create a whole new family and spare them from the pain of his past? How did he manage to raise them as if they were his "only" family? In other words, my friend's family is so kind, funny, and well-adjusted that I would have never known her father had a family before this one. Many people I know who are children of holocaust survivors live with their parents' pain & anxiety and idiosyncracies.
I modeled Jozef and Helena as a couple who survived trauma and want to give a "healthy" family life to their children. I explored through them how they negotiated such a feat.
3. Directors interpret symbolism in the script - be it the characters’ names or objects in stories told within the story of the script. As a playwright, I need to keep the symbolism clear.
Filippa Koutoupa (Helena) and Nikos Vatikiotis (Jozef) star in “Leaving Cremona” at the Analogio International Festival 2022 in Athens, Greece.
4. Directors piece together characters’ motivations with various actions that happen in the play like a puzzle, so as a playwright I’ve got to keep checking back on what I wrote to ensure I keep the motivations clear.
5. Resources! While directors do their own research to understand the background and context of the script, it helps if I also provide some key resources I’ve used in my research for the play. I provide a page of props. I’ve decided now to also provide a page of a few key resources.
#analogio2022 #crossingborders #kambanellis #greekdrama
A PRIORI Theatrical Productions: www.a-priori.gr
